Abdulhamit Arvas.“From The Pervert Back to The Beloved: Homosexuality and Ottoman Literary History, 1453-1923.” The Cambridge History of Gay and Lesbian Literature. Eds. Ellen McCallum and Mikko Tuhkanen. Cambridge: Cambridge University Press, 2014, 145-63.
-----.“Ecoerotic Imaginations in Early Modernity: An Eco-Queer Reading of Margaret Cavendish.” New international Voices in Ecocriticism. Ed. Serpil Oppermann. Lanham, MD: Lexington Books, 2014, 147-158.
-----. “Queers in-between: Globalizing Sexualities, Local Resistances.” The Postcolonial World. Eds. Jyotsna Singh and David D. Kim. New York and London: Routledge, (forthcoming).
-----. “Global Shakespeares, Affective Histories, Cultural Memories.” Shakespeare Survey 68 (2015): 183-196 (co-authored with J.Singh).
Sean A. Guynes. “Fatal Attractions: AIDS and American Superhero Comics, 1988-1994.” International Journal of Comic Art 17.2 (Fall/Winter 2015): 177-216.
-----, ed. Star Wars and the History of Transmedia Storytelling. Amsterdam: Amsterdam University Press. 2017
Asif Iqbal. “Thinking Beyond Nationalism in South Asia: Reading the Local as Postcolonial in Fault Lines: Stories of 1971.” South Asian Review 38.1 (2017): 101-113.
Eunah Lee. “Transference of Trauma in Body Genre Films: Wronged Women and Damaged Childhoods in Ringu and Audition.” Entertainment - Journal of Media and Movie Studies (forthcoming).
-----.“Excess and Affect in Post-Traumatic Cinema: Cheng Kaige’s Farewell My Concubine.” Reconstruction 16.1 (Spring 2016).
-----. “Trauma, Excess and the Aesthetics of Affect: The Extreme Cinemas of Chan Wook Park.” Post Script 34. 1 (Fall 2014).
Laura B. McGrath. “‘Only a Book’: Reading the Footnotes in House of Leaves.” Symbolism 15 (2015).
Cody Mejeur. "Chasing Wild Space: Narrative Outsides and World-Building Frontiers in the Old Republic Video Games." Star Wars and the history of Transmedia Storytelling, eds. Sean Guynes and Dan Hassler-Forest. Amsterdam: University of Amsterdam Press, 2017
Jennifer Royston. “Mute Poem, Speaking Picture: The Personification of the Paragone in Shakespeare’s Timon of Athens.” Forthcoming in a Brill Academic Publishers edition on personification.
Joshua Wucher, ‘“Let’s Get Into Character’: Role-playing in Quentin Tarantino’s Postmodern Sandbox.” The Journal of Popular Culture 48:6 (2015).
“From Comic Book Anti-Hero to Cinematic Supervillain: The Transmedia Extension of Magneto,” inMarvel Comics into Films: Essays on Adaptations Since the 1940s, editors Robert Moses Peaslee, Matthew McEniry, and Robert G. Weiner, McFarland Press, 2016,250–261.
“Translating the Panel: Remediating a Comics Aesthetic in Contemporary Action Cinema,” in A Companion to the Action Film, Ed. James Kendrick, Wiley Blackwell (Forthcoming 2017).